by kyraroc » Tue Jul 09, 2002 5:51 am
I must admit I find the idea that "what happened to Tara and Willow was forgivable because of everything they were up until that point" one of the oddest arguments around. That's exactly the reason *why* it's such an outrage this time. Lesbians drop dead on television all the time, or it wouldn't be a cliche in the first place - but when it happened on, say, "Law and Order" or "Northern Exposure" or "Babylon 5", etc., etc., etc., it didn't raise this level of anger. On those shows, fans weren't encouraged to believe by both the events of the show and the words of the writers themselves that this time, something would be different. They weren't given over two years to become attached to and invested in the relationship. The betrayal this time is GREATER because we let ourselves hope that this show wouldn't be like all the others. But, in the end, it was. Textbook cliche. The years of Willow/Tara goodness doesn't make this better - it makes it worse because rather than just seeing the usual horror, we got to have our hopes crushed as well.
Equally strange is the "but they weren't lesbians, they were people" argument. Huh? Last time I checked, lesbians *were* people, and Willow and Tara were both people and lesbians. The only way they could have been people but not lesbians is if they were, well, not lesbians. It's part of who they are, isn't it? And in terms of writing, who characters are is intimately related to what happens to them. That's not political - that's just *theme*, the basic way we are trained to read stories as having plots with meanings rather than simply being random events following one after another for no reason or purpose. And if certain conventions of theme are endemic to a society, you can either work deliberately against them, choose not to introduce the idea at all and have the conventions be either assumed or irrelevant, or introduce the idea and fall into the cliche. And guess what happened here? People who were lesbians were introduced, immediately making lesbian themes relevant however they chose to go with them and whoever those people were . . . and the show fell into the old dead/evil cliche lesbian theme.
So, the first argument always reads to me as, "Don't get angry - at least it was something important that was destroyed, and isn't that much better than something trivial being destroyed?", and the second one always reads to me as, "Don't be silly - how could a concept which is deliberately introduced as being part of a character and reiterated over and over again throughout the course of a series over a period of years be construed as being part of who the character was and relevant to how their story eventually turned out?"
For some reason, I don't buy those.
--- KR