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No one here gets out alive. Dead artist thread.

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Re: No one here gets out alive. Dead artist thread.

Postby oneyedchicklet » Sat Feb 04, 2006 11:18 pm

And yet another classic. So sad.

Good night Grandpa Munster. Rest in Peace.



'Grandpa Munster' Al Lewis Dies

Al Lewis, the cigar-chomping patriarch of "The Munsters" whose work as a basketball scout, restaurateur and political candidate never eclipsed his role as Grandpa from the television sitcom, died after years of failing health. He was 82.

The actor was widely reported to have been born in 1910, but his son Ted Lewis said Saturday that his father was born in 1923.

Lewis, with his wife at his bedside, passed away Friday night, said Bernard White, program director at WBAI-FM, where the actor hosted a weekly radio program. White made the announcement on the air during the Saturday slot where Lewis usually appeared.

"To say that we will miss his generous, cantankerous, engaging spirit is a profound understatement," White said.

Lewis, sporting a somewhat cheesy Dracula outfit, became a pop culture icon playing the irascible father-in-law to Fred Gwynne's ever-bumbling Herman Munster on the 1964-66 television show. He was also one of the stars of another classic TV comedy, playing Officer Leo Schnauzer on "Car 54, Where Are You?"

But Lewis' life off the small screen ranged far beyond his acting antics. A former ballplayer at Thomas Jefferson High School, he achieved notoriety as a basketball talent scout familiar to coaching greats like Jerry Tarkanian and Red Auerbach.

He operated a successful Greenwich Village restaurant, Grandpa's, where he was a regular presence _ chatting with customers, posing for pictures, signing autographs.

In 1998, a ponytailed Lewis ran as the Green Party candidate against incumbent Gov. George Pataki. Lewis campaigned against what he said were draconian drug laws and the death penalty, while going to court in a losing battle to have his name appear on the ballot as "Grandpa Al Lewis."

He didn't defeat Pataki, but managed to collect more than 52,000 votes.

Lewis was born Albert Meister in upstate New York before his family moved to Brooklyn, where the 6-foot-1 teen began a lifelong love affair with basketball. He later became a vaudeville and circus performer, but his career didn't take off until television did the same.

Lewis, as Officer Schnauzer, played opposite Gwynne's Officer Francis Muldoon in "Car 54, Where Are You?" _ a comedy about a Bronx police precinct that aired from 1961-63. One year later, the duo appeared together in "The Munsters," taking up residence at the fictional 1313 Mockingbird Lane.

The series, about a family of clueless creatures plunked down in middle America, was a success and ran through 1966. It forever locked Lewis in as the memorably twisted character; decades later, strangers would greet him on the street with shouts of "Grandpa!"

Unlike some television stars, Lewis never complained about getting typecast and made appearances in character for decades.

"Why would I mind?" he asked in a 1997 interview. "It pays my mortgage."

Lewis rarely slowed down, opening his restaurant and hosting his WBAI radio program. At one point during the '90s, he was a frequent guest on the Howard Stern radio show, once sending the shock jock diving for the delay button by leading an undeniably obscene chant against the Federal Communications Commission.

He also popped up in a number of movies, including the acclaimed "They Shoot Horses, Don't They?" and "Married to the Mob." Lewis reprised his role of Schnauzer in the movie remake of "Car 54," and appeared as a guest star on television shows such as "Taxi," "Green Acres" and "Lost in Space."

But in 2003, Lewis was hospitalized for an angioplasty. Complications during surgery led to an emergency bypass and the amputation of his right leg below the knee and all the toes on his left foot. Lewis spent the next month in a coma.

A year later, he was back offering his recollections of a seminal punk band on the DVD "Ramones Raw."

He is survived by his wife, Karen Ingenthron-Lewis, three sons and four grandchildren.

© Copyright 2006 CSC Holdings, Inc.

oneyedchicklet
 


Re: No one here gets out alive. Dead artist thread.

Postby GayNow » Fri Feb 10, 2006 12:03 pm

Just read this on Comcast

Actor Who Played 'Jeffersons' Neighbor Dies
By Associated Press

LOS ANGELES - Franklin Cover, who became a familiar face as George and Louise Jefferson's white neighbor in the long-running TV sitcom "The Jeffersons," has died, his publicist said Thursday. He was 77.

Cover died of pneumonia Sunday at the Lillian Booth Actor's Fund of America home in Englewood, N.J., said publicist Dale Olson. He had been living at the home since December 2005 while recuperating from a heart condition.

In his nearly six decades in show business, Cover made numerous appearances on television shows, including "The Jackie Gleason Show," "All in the Family," "Who's the Boss?" "Will & Grace," "Living Single," "Mad About You" and "ER."

He began his career on the stage, appearing in Shakespeare's "Hamlet" and "Henry IV," and later in numerous Broadway productions, including "Any Wednesday," "Wild Honey and "Born Yesterday."

But Cover was best known for his role as Tom Willis, who was in an interracial marriage with a black woman, in "The Jeffersons."

He and his wife lived in the same "deluxe apartment building" that Sherman Hemsley moved his family to after making money in the dry-cleaning business. There, Cover often played a comic foil to Hemsley's blustering, opinionated black businessman. The show ran from 1975 to 1985.

Cover also appeared in several films, including "The Great Gatsby," "The Stepford Wives" and "Wall Street."

He is survived by his widow, Mary, a son and a daughter.
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Re: No one here gets out alive. Dead artist thread.

Postby skittles » Sun Feb 12, 2006 6:25 pm

Peter Benchley, Author of 'Jaws,' Dies at 65
By THE ASSOCIATED PRESS
Filed at 7:30 p.m. ET

NEW YORK (AP) -- Peter Benchley, whose novel ''Jaws'' terrorized millions of swimmers even as the author himself became an advocate for the conservation of sharks, has died at age 65, his widow said Sunday.

Wendy Benchley, married to the author for 41 years, said he died Saturday night at their home in Princeton, N.J. The cause of death, she said, was idiopathic pulmonary fibrosis, a progressive and a fatal scarring of the lungs.

Thanks to Benchley's 1974 novel, and Steven Spielberg's blockbuster movie of the same name, the simple act of ocean swimming became synonymous with fatal horror, of still water followed by ominous, pumping music, then teeth and blood and panic.

''Spielberg certainly made the most superb movie; Peter was very pleased,'' Wendy Benchley told The Associated Press.

''But Peter kept telling people the book was fiction, it was a novel, and that he no more took responsibility for the fear of sharks than Mario Puzo took responsibility for the Mafia.''

Benchley, the grandson of humorist Robert Benchley and son of author Nathaniel Benchley, was born in New York City in 1940. He attended the elite Philips Exeter Academy in New Hampshire, then graduated from Harvard University in 1961. He worked at The Washington Post and Newsweek and spent two years as a speechwriter for President Johnson, writing some ''difficult'' speeches about the Vietnam War, Wendy Benchley said.

The author's interest in sharks was lifelong, beginning with childhood visits to Nantucket Island in Massachusetts and heightening in the mid-1960s when he read about a fisherman catching a 4,550-pound great white shark off Long Island, the setting for his novel.

''I thought to myself, `What would happen if one of those came around and wouldn't go away?''' he recalled. Benchley didn't start the novel until 1971 because he was too busy working with his day jobs.

''There was no particular influence. My idea was to tell my first novel as a sort of long story ... just to see if I could do it. I had been a freelance writer since I was 16, and I sold things to various magazines and newspapers whenever I could.''

While Peter Benchley co-wrote the screenplay for ''Jaws,'' and authored several other novels, including ''The Deep'' and ''The Island,'' Wendy Benchley said he was especially proud of his conservation work. He served on the national council of Environmental Defense, hosted numerous television wildlife programs, gave speeches around the world and wrote articles for National Geographic and other publications.

''He cared very much about sharks. He spent most of his life trying to explain to people that if you are in the ocean, you're in the shark's territory, so it behooves you to take precautions,'' Wendy Benchley said.

The author did not abide by the mayhem his book evoked. In fact, he was quite at ease around sharks, his widow said. She recalled a trip to Guadeloupe, Mexico last year for their 40th wedding anniversary, when the two went into the water in a special cage.

''They put bait in the water and sharks swim around and play games,'' she said. ''We were thrilled, excited. We'd been around sharks for so long.''

Besides his wife, Peter Benchley is survived by three children and five grandchildren. A small family service will take place next week in Princeton, Wendy Benchley said.
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Re: No one here gets out alive. Dead artist thread.

Postby WebWarlock » Wed Feb 15, 2006 2:06 pm

Andreas Katsulas has died.

http://www.scifi.com/scifiwire/index.ph ... 0&id=34628

Babylon 5's Katsulas Dies

Andreas Katsulas, the character actor known to SF fans as G'Kar on Babylon 5 and a familiar face from Star Trek and other SF&F TV shows, died Feb. 13 of lung cancer in Los Angeles, his agent, Donna Massetti, confirmed to SCI FI Wire. He was 59.

Katsulas, a longtime resident of Los Angeles, played the Narn ambassador G'Kar for five years in the syndicated cult TV series Babylon 5, starting in 1993. He reprised the role in subsequent Babylon 5 telefilms.

Katsulas was also no stranger to Trek fans, playing Romulan Cmdr. Tomalak in Star Trek: The Next Generation. His last appearance in a Trek series was as a Vissian captain on an episode of Enterprise.

Born in St. Louis, Katsulas held a master's degree in theater from Indiana University, his official Web site said. After performing in plays in St. Louis, New York and Boston, he went on to film roles in such movies as Michael Cimino's The Sicilian, which brought him to Los Angeles, then in Ridley Scott's Someone to Watch Over Me and Blake Edward's Sunset.

Katsulas moved to Los Angeles permanently in 1986 and found scores of television and film parts in everything from TV's Alien Nation and Max Headroom to the big screen's The Fugitive, in which he played the infamous one-armed man, and Executive Decision opposite Kurt Russell and Steven Seagal.

Information on memorial services was pending at press time. —Patrick Lee, News Editor


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Re: No one here gets out alive. Dead artist thread.

Postby WebWarlock » Wed Feb 15, 2006 2:06 pm

Andreas Katsulas has died.

http://www.scifi.com/scifiwire/index.ph ... 0&id=34628

Babylon 5's Katsulas Dies

Andreas Katsulas, the character actor known to SF fans as G'Kar on Babylon 5 and a familiar face from Star Trek and other SF&F TV shows, died Feb. 13 of lung cancer in Los Angeles, his agent, Donna Massetti, confirmed to SCI FI Wire. He was 59.

Katsulas, a longtime resident of Los Angeles, played the Narn ambassador G'Kar for five years in the syndicated cult TV series Babylon 5, starting in 1993. He reprised the role in subsequent Babylon 5 telefilms.

Katsulas was also no stranger to Trek fans, playing Romulan Cmdr. Tomalak in Star Trek: The Next Generation. His last appearance in a Trek series was as a Vissian captain on an episode of Enterprise.

Born in St. Louis, Katsulas held a master's degree in theater from Indiana University, his official Web site said. After performing in plays in St. Louis, New York and Boston, he went on to film roles in such movies as Michael Cimino's The Sicilian, which brought him to Los Angeles, then in Ridley Scott's Someone to Watch Over Me and Blake Edward's Sunset.

Katsulas moved to Los Angeles permanently in 1986 and found scores of television and film parts in everything from TV's Alien Nation and Max Headroom to the big screen's The Fugitive, in which he played the infamous one-armed man, and Executive Decision opposite Kurt Russell and Steven Seagal.

Information on memorial services was pending at press time. —Patrick Lee, News Editor


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Tara: "My whole life has been 'Tara, don't use your magic.' 'Tara, hide your powers.' 'Tara you will scare someone.' But you tried to hurt and then kill Willow. So maybe it is time I showed everyone just how powerful I am."
- The Dragon and the Phoenix, Episode 7: The Road to Hell
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Re: No one here gets out alive. Dead artist thread.

Postby GayNow » Mon Feb 20, 2006 9:09 am

Read this morning on Comcast


'Godfather' Actor Killed by Bus in NYC
By Associated Press

Sun Feb 19, 5:34 PM

NEW YORK - Richard Bright, a character actor who appeared in all three "Godfather" movies and more recently on "The Sopranos," was struck and killed by a bus, police said.

Bright, 68, was hit by a private Academy Bus as he crossed the street at about 6:30 p.m. Saturday in his Manhattan neighborhood, police Detective Bernard Gifford said.

There were no arrests as of Sunday but police said the investigation was continuing. The bus driver told police he was not aware that he had hit anyone.

Bright played mob enforcer Al Neri in the "Godfather" movies, a bodyguard to the Corleone family patriarchs played by Marlon Brando and Al Pacino.

He played a con artist hustling Ali McGraw in 1972's "The Getaway" and acted in dozens of other films such as Sergio Leone's "Once Upon a Time in America" and "Looking for Mr. Goodbar" and in TV shows such as "Hill Street Blues."

"He always said it was the work that was the reward," said Brett Smiley, a friend and fellow actor.

Bright was arrested in 1965 on an obscenity charge for language he used in a San Francisco production of poet Michael McClure's two-person play "The Beard," which was shut down.

The American Civil Liberties Union took up the case and the charges against Bright were later dismissed in what was considered a precedent for artistic expression rights.
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Don Knotts, TV's Barney Fife, Dies at 81

Postby skittles » Sat Feb 25, 2006 5:37 pm

Don Knotts, TV's Barney Fife, Dies at 81

By THE ASSOCIATED PRESS
Published: February 25, 2006

Filed at 6:58 p.m. ET

LOS ANGELES (AP) -- Don Knotts, the skinny, lovable nerd who kept generations of television audiences laughing as bumbling Deputy Barney Fife on ''The Andy Griffith Show,'' has died. He was 81.

Knotts died Friday night of pulmonary and respiratory complications at Cedars-Sinai Medical Center in Beverly Hills, said Paul Ward, a spokesman for the cable network TV Land, which airs ''The Andy Griffith Show,'' and another Knotts hit, ''Three's Company.''

Unspecified health problems had forced him to cancel an appearance in his native Morgantown in August 2005.

The West Virginia-born actor's half-century career included seven TV series and more than 25 films, but it was the Griffith show that brought him TV immortality and five Emmies.

The show ran from 1960-68, and was in the top 10 of the Nielsen ratings each season, including a No. 1 ranking its final year. It is one of only three series in TV history to bow out at the top: The others are ''I Love Lucy'' and ''Seinfeld.'' The 249 episodes have appeared frequently in reruns and have spawned a large, active network of fan clubs.

As the bug-eyed deputy to Griffith, Knotts carried in his shirt pocket the one bullet he was allowed after shooting himself in the foot. The constant fumbling, a recurring sight gag, was typical of his self-deprecating humor.

Knotts, whose shy, soft-spoken manner was unlike his high-strung characters, once said he was most proud of the Fife character and doesn't mind being remembered that way.

His favorite episodes, he said, were ''The Pickle Story,'' where Aunt Bea makes pickles no one can eat, and ''Barney and the Choir,'' where no one can stop him from singing.

''I can't sing. It makes me sad that I can't sing or dance well enough to be in a musical, but I'm just not talented in that way,'' he lamented. ''It's one of my weaknesses.''

Knotts appeared on six other television shows. In 1979, Knotts replaced Norman Fell on ''Three's Company,'' playing the would-be swinger landlord to John Ritter, Suzanne Somers and Joyce DeWitt.

Early in his TV career, he was one of the original cast members of ''The Steve Allen Show,'' the comedy-variety show that ran from 1956-61. He was one of a group of memorable comics backing Allen that included Louis Nye, Tom Poston and Bill ''Jose Jimenez'' Dana.

Knotts' G-rated films were family fun, not box-office blockbusters. In most, he ends up the hero and gets the girl -- a girl who can see through his nervousness to the heart of gold.

In the part-animated 1964 film ''The Incredible Mr. Limpet,'' Knotts played a meek clerk who turns into a fish after he is rejected by the Navy.

When it was announced in 1998 that Jim Carrey would star in a ''Limpet'' remake, Knotts responded: ''I'm just flattered that someone of Carrey's caliber is remaking something I did. Now, if someone else did Barney Fife, THAT would be different.''

In the 1967 film ''The Reluctant Astronaut,'' co-starring Leslie Nielsen, Knotts' father enrolls his wimpy son -- operator of a Kiddieland rocket ride -- in NASA's space program. Knotts poses as a famous astronaut to the joy of his parents and hometown but is eventually exposed for what he really is, a janitor so terrified of heights he refuses to ride an airplane.

In the 1969 film ''The Love God?,'' he was a geeky bird-watcher who is duped into becoming publisher of a naughty men's magazine and then becomes a national sex symbol. Eventually, he comes to his senses, leaves the big city and marries the sweet girl next door.

He was among an army of comedians from Buster Keaton to Jonathan Winters to liven up the 1963 megacomedy ''It's A Mad, Mad, Mad, Mad World.'' Other films include ''The Ghost and Mr. Chicken'' (1966); ''The Shakiest Gun in the West,'' (1968); and a few Disney films such as ''The Apple Dumpling Gang,'' (1974); ''Gus,'' (1976); and ''Herbie Goes to Monte Carlo,'' (1977).

In 1998, he had a key role in the back-to-the-past movie ''Pleasantville,'' playing a folksy television repairman whose supercharged remote control sends a teen boy and his sister into a TV sitcom past.

Knotts began his show biz career even before he graduated from high school, performing as a ventriloquist at local clubs and churches. He majored in speech at West Virginia University, then took off for the big city.

''I went to New York cold. On a $100 bill. Bummed a ride,'' he recalled in a visit to his hometown of Morgantown, where city officials renamed a street for him in 1998.

Within six months, Knotts had taken a job on a radio Western called ''Bobby Benson and the B-Bar-B Riders,'' playing a wisecracking, know-it-all handyman. He stayed with it for five years, then came his series TV debut on ''The Steve Allen Show.''

He married Kay Metz in 1948, the year he graduated from college. The couple had two children before divorcing in 1969. Knotts later married, then divorced Lara Lee Szuchna.

In recent years, he said he had no plans to retire, traveling with theater productions and appearing in print and TV ads for Kodiak pressure treated wood.

The world laughed at Knotts, but it also laughed with him.

He treasured his comedic roles and could point to only one role that wasn't funny, a brief stint on the daytime drama ''Search for Tomorrow.''

''That's the only serious thing I've done. I don't miss that,'' Knotts said.
**END**
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Re: No one here gets out alive. Dead artist thread.

Postby WebWarlock » Mon Feb 27, 2006 11:32 am

Darren McGavin is gone too.

http://www.cnn.com/2006/SHOWBIZ/Movies/ ... nn_showbiz

http://www.scifi.com/scifiwire/index.ph ... 3&id=34765

http://www.chicagotribune.com/news/show ... 0019.story

Actor Darren McGavin Dies at 83

By Valerie J. Nelson
Los Angeles Times Staff Writer
Published February 27, 2006, 8:14 AM CST


Darren McGavin, an Emmy-winning actor who worked almost constantly in television for almost 50 years and made an enduring mark on popular culture as the grizzled has-been crime reporter in the 1970s series "Kolchak: The Night Stalker," has died. He was 83.

McGavin, who also is remembered for portraying the curmudgeonly father in the 1983 film "A Christmas Story," died of natural causes Saturday at a Los Angeles-area hospital, his family said.

Although he had roots on stage and in film, long-term success came on the small screen, often in the form of gruff-voiced authority figures. One such role — the opinionated father of Candice Bergen on "Murphy Brown" (CBS, 1988 to 1998) — earned him an Emmy Award in 1990.

McGavin starred in several TV series, including the syndicated "Mickey Spillane's Mike Hammer" (1957 to 1959), "Riverboat" (NBC, 1959 to 1961), "The Outsider" (NBC, 1968 to 1969) and the short-lived CBS comedy "Small & Frye" (1983).

He first played fast-talking Carl Kolchak in "The Night Stalker," a TV movie about a reporter covering a vampire's killing spree in Las Vegas. When it first aired in 1972, the movie set a ratings record.

"That marvelous hunk of creepy camp of a TV movie," as The Times called it in 1974, was followed by a 1973 sequel, "The Night Strangler." The ABC series that seemed to captivate a generation of future sci-fi scriptwriters aired for a single season beginning in 1974.

The "Night Stalker" movies and series have been credited with inspiring contemporary entertainment, including the WB series "Buffy the Vampire Slayer" and the 1997 film "Men in Black." Writer-producer Chris Carter has often cited Kolchak as the primary inspiration for the long-running fantasy-drama "The X-Files" that first aired on Fox in 1993.

"The Night Stalker's" combination of fear and fun worked in large part because of the "jauntiness in the face of doom" that McGavin brought to what he called "the role of a lifetime," Frank Spotnitz, a producer of a short-lived revival of the series that aired on ABC last fall, wrote in Entertainment Weekly in 2005.

By the time the 20th episode of the original series had aired, ABC had granted McGavin's pleas to put him — and the low-rated series — out of their misery.

Despite treasuring the part, McGavin knew that the high-concept idea of chasing after supernatural monsters of the week as a way of breaking into the big leagues of journalism wouldn't work over the long haul.

Ever outspoken, McGavin criticized television for creating "cardboard characters," he told The Times in 1968, and he pointed the finger at his private-eye detective series "Mike Hammer," so violent that TV Guide once called it "easily the worst show on TV."

"Hammer was a dummy. I made 72 of those shows and thought it was a comedy," McGavin recalled. "In fact, I played it camp. He was the kind of guy who'd have waved the flag for George Wallace."

After leaving behind the character who was known for either kissing or killing the women, McGavin co-starred with Burt Reynolds as a skipper in "Riverboat," set in the 1840s.

That was another series, McGavin said, that could use a reality check.

"We'd dock in New Orleans … and there'd never be a Negro in sight. That's when the series started to crumble," he said in 1968.

On the big screen, McGavin first received notice in two 1955 films for portraying a young artist in Venice in David Lean's "Summertime" and Frank Sinatra's drug supplier in Otto Preminger's "The Man With The Golden Arm." He also was Jerry Lewis' parole officer in "The Delicate Delinquent" (1957) and a gambler in 1984's "The Natural."

He starred alongside Don Knotts, who died Friday, in the 1976 family comedy "No Deposit, No Return."

In "A Christmas Story," McGavin played the narrator's father who grumbles his fair share of profanity. Years later, he demonstrated the art of garbled cussing on "Larry King Live" on CNN.

Other memorable roles included playing Gen. George Patton in the 1979 miniseries "Ike," and appearing alongside Rock Hudson in the sci-fi miniseries "The Martian Chronicles."

He was born May 7, 1922, to Reid Delano Richardson and Grace Bogart McGavin in Spokane, Wash., although some sources give his birthplace as San Joaquin, Calif.

McGavin never revealed much about his childhood, but he told TV Guide in 1973 that he was a constant runaway by 10, and as a teen he lived in warehouses in Tacoma, Wash. His parents vanished, he said.

After attending College of the Pacific in Stockton for a year, McGavin dropped out and moved to New York. He studied acting at the Neighborhood Playhouse under the legendary Sanford Meisner and at the Actors Studio.

In New York and on the road, he portrayed Happy, the second son of Willy Loman in "Death of a Salesman." He spent more than a dozen years performing on Broadway, beginning in 1953, including appearing in "The Rainmaker."

McGavin liked to portray his early film career as something he pulled over on Hollywood. While painting a set for "A Song to Remember" at Columbia, he learned about a small role in the 1945 film that still needed to be cast.

After cleaning up, he walked back in the front gate with his agent and the director, Charles Vidor, hired him.

Only the paint foreman recognized him and said, "You're fired."

Survivors include his four children — Bogart, Bridget, Megan and York — from his first marriage, which ended in divorce. His second wife, the actress Kathie Browne McGavin, died in 2003.


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Re: No one here gets out alive. Dead artist thread.

Postby russ » Mon Feb 27, 2006 3:29 pm

And now Dennis Weaver; what a weekend of losses!

Dennis Weaver, 81

BOB THOMAS

Associated Press

Los Angeles — Dennis Weaver, who played the slow-witted deputy Chester Goode on the classic TV western Gunsmoke and a quick-witted deputy from New Mexico solving New York crime on “McCloud,” has died. He was 81.

Mr. Weaver died Friday of complications from cancer at his home in Ridgway, Colo., publicist Julian Myers said.

Mr. Weaver was a struggling actor in Hollywood in 1955, earning $60 a week delivering flowers when he was offered $300 a week for a role in a new CBS television series, Gunsmoke. By the end of his nine years with Gunsmoke, he was earning $9,000 a week.

When Mr. Weaver first auditioned for the series, he found the character of Chester “inane.” He wrote in his 2001 autobiography, All the World's a Stage, that he said to himself: “With all my Actors Studio training, I'll correct this character by using my own experiences and drawing from myself.”

The result was a well-rounded character that appealed to audiences, especially with his drawling, “Mis-ter Dil-lon.”

At the end of seven hit seasons, Mr. Weaver sought other horizons. He announced his departure, but the failures of pilots for his own series caused him to return to Gunsmoke on a limited basis for two more years. The role brought him an Emmy in the 1958-59 season.

In 1966, Mr. Weaver starred with a 270-kilogram black bear in Gentle Ben, about a family that adopts a bear as a pet. The series was well-received, but after two seasons, CBS decided it needed more adult entertainment and cancelled it.

Next came the character Sam McCloud, which Weaver called “the most satisfying role of my career.”

The McCloud series, 1970-1977, put a no-nonsense lawman from Taos, N.M., on the crime-ridden streets of New York City. His wild-west tactics, such as riding his horse through Manhattan traffic, drove local policemen crazy, but he always solved the case.

He appeared in several movies, including Touch of Evil, Ten Wanted Men, Gentle Giant, Seven Angry Men, Dragnet, Way ... Way Out and The Bridges at Toko-Ri.

Mr. Weaver also was an activist for protecting the environment and combatting world hunger.

He served as president of Love Is Feeding Everyone (LIFE), which fed 150,000 needy people a week in Los Angeles County. He founded the Institute of Ecolonomics, which sought solutions to economic and environmental problems. He spoke at the United Nations and Congress, as well as to college students and school children about fighting pollution and starvation.

“Earthship” was the most visible of Mr. Weaver's crusades. He and his wife Gerry built a solar-powered Colorado home out of recycled tires and cans. The thick walls helped keep the inside temperature even year around.

“When the garbage man comes,” Jay Leno once quipped, “how does he know where the garbage begins and the house ends?”

Mr. Weaver responded: “If we get into the mindset of saving rather than wasting and utilizing other materials, we can save the Earth.”

The tall, slender actor came by his Midwestern twang naturally. He was born June 4, 1924, in Joplin, Mo., where he excelled in high school drama and athletics. After navy service in the Second World War, he enrolled at the University of Oklahoma and qualified for the Olympic decathlon.

He studied at the Actors Studio in New York and appeared in A Streetcar Named Desire opposite Shelley Winters and toured in Come Back, Little Sheba with Shirley Booth.

Universal Studio signed Mr. Weaver to a contract in 1952 but found little work for him. He freelanced in features and television until he landed Gunsmoke.

Mr. Weaver appeared in dozens of TV movies, the most notable being the 1971 Duel. It was a bravura performance for both fledgling director Steven Spielberg and Mr. Weaver, who played a driver menaced by a large truck that followed him down a mountain road. The film was released in theatres in 1983, after Mr. Spielberg had become director of huge moneymakers.

Mr. Weaver's other TV series include Kentucky Jones, Emerald Point N.A.S., Stone and Buck James. From 1973 to 1975, he served as president of the Screen Actors Guild.

Mr. Weaver leaves his wife; sons Rick, Robby and Rusty; and three grandchildren.
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Re: No one here gets out alive. Dead artist thread.

Postby Triscuit7 » Mon Feb 27, 2006 5:31 pm

A customer told me about about SF/F author Octavia Butler's death today. February has not been a good month... :(

Octavia Butler, 1947-2006: Sci-fi writer a gifted pioneer in white, male domain

By JOHN MARSHALL
P-I BOOK CRITIC

Her father was a shoeshine man who died when she was a child, her mother was a maid who brought her along on jobs, yet Octavia Butler rose from these humble beginnings to become one of the country's leading writers - a female African American pioneer in the white, male domain of science fiction.

Butler, 58, died after falling and striking her head Friday on a walkway outside her home in Lake Forest Park. The reclusive writer, who moved to Seattle in 1999 from her native Southern California, was a giant in stature (she was 6 feet tall by age 15) and in accomplishment.

Octavia Butler was one of the Northwest's most prominent science fiction writers. She remains the only science fiction writer to receive one of the vaunted "genius grants" from the John D. and Catherine T. MacArthur Foundation, a hard-earned $295,000 windfall in 1995 that followed years of poverty and personal struggles with shyness and self-doubt.

"People may call these 'genius grants,' " Butler said in a 2004 interview with the Seattle P-I, "but nobody made me take an IQ test before I got mine. I knew I'm no genius."

Butler's most popular work is "Kindred," a time-travel novel in which a black woman from 1976 Southern California is transported back to the violent days of slavery before the Civil War. The 1979 novel became a popular staple of school and college courses and now has more than a quarter million copies in print, but its birth was agonizing, like so much in Butler's solitary life.

"Kindred" was repeatedly rejected by publishers, many of whom could not understand how a science fiction novel could be set on a plantation in the antebellum South. Butler stuck to her social justice vision - "I think people really need to think what it's like to have all of society arrayed against you" - and finally found a publisher who paid her a $5,000 advance for "Kindred."

"I was living on my writing," Butler said, "and you could live on $5,000 back then. You could live, but not well. I got along by buying food I didn't really like but was nourishing: beans, potatoes. A 10-pound sack of potatoes lasts a long time."

Steven Barnes, another African American writer, knew Butler during her early writing days in Southern California and later in the Washington when he and his writer wife, Tananarive Due, lived for a time in Longview before returning to Los Angeles. Barnes saw Butler's confidence grow along with her reputation.

"Octavia was one of the purest writers I know," Barnes recalled Sunday. "She put everything she had into her work - she was extraordinarily committed to the craft. Yet, despite her shyness, she was also an open, generous and humane human being. I miss her so much already."

Due added, "It is a cliche to say that she was too good a soul, but it's true. What she really conveyed in her writing was the deep pain she felt about the injustices around her. All of it was a metaphor for war, poverty, power struggles and discrimination. All of that hurt her very deeply, but her gift was that she could use words for the pain and make the world better."

Due believed that Butler came to feel deeply at home in the Northwest after she relocated here with 300 boxes of books. The anonymity of her life in Seattle suited both her artistic devotion and temperament ("I always felt a deep loneliness in her," Barnes said). But Butler did become a frequent participant in readings and writers' conferences, especially Clarion West, which played a crucial role in her own start. She also served on the advisory board of Seattle's Science Fiction Museum and Hall of Fame.

A few friends did get to see the relaxed Butler away from her infrequent moments in the limelight, including Leslie Howle, who took her to see the recent version of "King Kong." Howle describes the writer as "one of the most fun people to be around, with an acerbic sense of humor and a keen observer of human nature."

Butler was a confirmed non-driver who would chat with other bus passengers or with neighbors who gave her rides when she trudged home with bags of groceries, as neighbor Terry Morgan did.

"The first time I picked her up, she took me into her house and autographed a copy of one of her books," Morgan said. "That was a great 'thank you,' especially since I am an African American and we felt a common bond. But it was also obvious to me that writing was her life."

The MacArthur grant brought increasing visibility to Butler and allowed her to buy her first house, where she tended to her ailing mother until her death. (Butler's survivors are two elderly aunts and many cousins in Southern California.)

But the MacArthur grant also brought daunting pressure. Three years later, Butler published "Parable of the Talents," winner of one of her two Nebula Awards in science fiction. Then years passed without another new novel, as projects in Seattle "petered out." Characters and ideas went nowhere and her blood pressure medication left her drowsy and depressed.

The frustrated artist - who first turned to writing at 12 after the sci-fi movie, "Devil Girl from Mars," convinced her that she could write something better - battled worries that "maybe I cannot write anymore."

But at long last, an unlikely vampire novel rekindled her creative fires and brought a burgeoning joy to her craft.

"I can't say I've had much fun in the last few years, what with my version of writer's block," a relieved Butler recalled in 2004. "Writing has been as difficult for me as for people who don't like to write and as little fun. But now the well is filling up again with this vampire novel."

Butler's death means that "Fledgling," published last fall to enthusiastic praise, will likely stand as her final novel, to the great disappointment to Butler's many fans and friends who expected more work.

"The only consolation in losing Octavia so soon," stressed Due, "is that she must have known her place in history."
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Re: No one here gets out alive. Dead artist thread.

Postby GayNow » Mon Feb 27, 2006 7:55 pm

Just saw this on IMDB

27 February 2006

Dennis Weaver: 1924-2006

Dennis Weaver, the laconic actor who became a TV star first as the sidekick Chester in Gunsmoke and then as the leading man of 70s series McCloud, died of complications from cancer on Friday at his home in Colorado; he was 81. A struggling actor in the early 50s who appeared onstage in A Streetcar Named Desire and Come Back, Little Sheba, Weaver got his big break in the nascent medium of television by auditioning in 1955 for the small part of Chester in the new CBS series Gunsmoke. Giving his character a unique, humorous accent and a limp (neither of which were specified in the original script), Weaver easily won the part, and fame as well as an Emmy award (in 1959) followed during his nine-year run on the show. After leaving Gunsmoke, a number of TV series appearances followed, including the boy-and-his-bear show Gentle Ben (1967-69) and the cult classic Duel (1971), directed by a then little-known filmmaker named Steven Spielberg. The thriller, about a man terrorized by the unseen driver of a large truck, put the fledgling Spielberg on the map and showcased Weaver in one of his best performances (the movie was theatrically released in 1983). Weaver's most notable role in the 70s, however, was as rural country Sheriff Sam McCloud in the detective series McCloud, which ran from 1970-77. Playing a New Mexico detective clashing with the New York police department, Weaver solved crimes weekly with his laid-back style, and received two Emmy nominations during the show's run. After McCloud, Weaver worked continuously on television, with notable roles in the 70s miniseries Centennial and Pearl, the acclaimed TV movie Amber Waves (opposite Kurt Russell and a young Mare Winningham), and Lonesome Dove: The Series, where he played Buffalo Bill Cody; Weaver's most recent appearance was in ABC Family series Wildfire. President of the Screen Actors Guild from 1973-75, Weaver was also a committed environmentalist, and spoke on behalf of the cause to both the United Nations and Congress; he and his wife, Gerry, also built their home in Colorado out of recycled materials. In addition to his wife, Weaver is survived by two sons, actor Robby Weaver and actor-producer Rick Weaver. --Prepared by IMDb staff
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Re: No one here gets out alive. Dead artist thread.

Postby oneyedchicklet » Tue Mar 07, 2006 3:18 pm

Christopher Reeve's Widow Dies at Age 44

Dana Reeve, the singer-actress who married the strapping star of the "Superman" movies and then devoted herself to his care and his cause after he was paralyzed, has died of lung cancer, a year-and-a-half after her husband. She was 44.

Although Reeve had announced her cancer diagnosis in August _ to an outpouring of sympathy and support from admirers around the world _ her death seemed sudden. As recently as Jan. 12, she looked healthy and happy as she belted out Carole King's "Now and Forever" at a packed Madison Square Garden during a ceremony honoring hockey star Mark Messier, a friend.

"Unfortunately, that's what happens with this awful disease," said Maggie Goldberg of the Christopher Reeve Foundation, where Dana Reeve had succeeded her husband as chair. "You feel good, you're responding and then the downturn."

Reeve, who lived in Pound Ridge, died Monday night at Memorial Sloan-Kettering Medical Center in Manhattan, said foundation president Kathy Lewis.

Officials would not discuss Reeve's treatment or say when she entered the hospital. But Lewis said she visited her there on Friday, when Reeve was "tired but with her typical sense of humor and smile, always trying to make other people feel good, her characteristic personality."

"The brightest light has gone out," said comedian Robin Williams. "We will forever celebrate her loving spirit."

Former President Clinton and Sen. Hillary Rodham Clinton described Reeve as "a model of tenacity and grace."

"Despite the adversity that she faced, Dana bravely met these challenges and was always an extremely devoted wife, mother and advocate," they said.

Christopher and Dana Reeve married in 1992. Life changed drastically for the young show-business couple three years later when Christopher Reeve suffered near-total paralysis in a horse-riding accident and almost died.

In his autobiography, "Still Me," Reeve wrote that he suggested early on to his wife, "Maybe we should let me go." She responded, "I'll be with you for the long haul, no matter what. You're still you and I love you."

Those were "the words that saved my life," Christopher Reeve said.

For his remaining nine years, Dana Reeve was her husband's constant companion and supporter during the ordeal of his rehabilitation, winning worldwide acclaim and admiration. With him, she became an activist in the search for a cure for spinal-cord injuries.

"Something miraculous and wonderful happened amidst terrible tragedy, and a whole new dimension of life began to emerge," she wrote in a 1999 book, "Care Packages: Letters to Christopher Reeve from Strangers and Other Friends." "What we had yet to discover were all the gifts that come out of sharing hardship, the hidden pleasures behind the pain."

After her husband's death in October 2004, Reeve said she planned to return to acting. She had appeared on Broadway, off-Broadway and regional stages and on the TV shows "Law & Order," "Oz," and "All My Children," and she'd had to give up a Broadway role when she was widowed.

"I am an actress and I do have to make a living," she said.

However, her mother died of complications from ovarian cancer and her own diagnosis came the next summer.

"I thought that after everything that she had gone through with Chris that she would have time to smell the flowers and be in the sun," said Sen. Diane Feinstein of California. "But apparently that was not meant to be."

From the start, Reeve expressed confidence she would beat lung cancer. And four months ago, wearing a long formal gown at a fundraising gala for the foundation, Reeve provoked wolf whistles from Williams and said she was responding well to treatment.

"I'm beating the odds and defying every statistic the doctors can throw at me," Reeve said. "My prognosis looks better all the time."

At about the same time, Reeve taped a PBS show, "The New Medicine," about how doctors are paying more attention to a patient's cultural values and lifestyle as part of treatment. In her introduction to the program, Reeve said, "It has become clear to me that high-tech medicine, with all its wonders, often leaves out that all-important human touch."

PBS said Tuesday that the show will be broadcast as scheduled March 29.

Survivors include the Reeves' 13-year-old son, Will; two grown stepchildren, Matthew and Alexandra; her father, Charles Morosini; and two sisters.

Goldberg said Will was "in the loving care of family and friends" and that his mother had arranged for his future.

The foundation said no plans for a funeral have been announced.

___
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Re: No one here gets out alive. Dead artist thread.

Postby GayNow » Wed Mar 15, 2006 7:12 am

Saw this on Comcast...

Actress Maureen Stapleton Dies at 80
By ADAM GORLICK, Associated Press Writer

Mon Mar 13, 5:10 PM

SPRINGFIELD, Mass. - Maureen Stapleton, an Oscar-winning character actress whose subtle vulnerability and down-to-earth toughness earned her dramatic and comedic roles on stage, screen, and television, died Monday. She was 80.

The longtime smoker died from chronic pulmonary disease in the Berkshire hills town of Lenox, where she had been living, said her son, Daniel Allentuck.

Stapleton, whose unremarkable, matronly appearance belied her star personality and talent, won an Academy Award in 1981 for her supporting role as anarchist-writer Emma Goldman in Warren Beatty's "Reds," about a left-wing American journalist who journeys to Russia to cover the Bolshevik Revolution.

To prepare for the role, Stapleton said she tried reading Goldman's autobiography, but soon chucked it out of boredom.

"There are many roads to good acting," Stapleton, known for her straightforwardness, said in her 1995 autobiography, "Hell of a Life." "I've been asked repeatedly what the 'key' to acting is, and as far as I'm concerned, the main thing is to keep the audience awake."

Stapleton was nominated several times for a supporting actress Oscar, including for her first film role in 1958's "Lonelyhearts"; "Airport" in 1970; and Woody Allen's "Interiors" in 1978.

Her other film credits include the 1963 musical "Bye Bye Birdie" opposite Ann-Margret and Dick Van Dyke, "Johnny Dangerously," "Cocoon," "The Money Pit" and "Addicted to Love."

In television, she earned an Emmy for "Among the Paths to Eden" in 1967. She was nominated for "Queen of the Stardust Ballroom" in 1975; "The Gathering" in 1977; and "Miss Rose White" in 1992.

After moving to the Berkshires, Stapleton was a regular at the Candlelight Inn, a favorite gathering spot for actors that has since closed, said Elizabeth Aspenlieder, an actress with the Lenox-based Shakespeare & Co. acting group.

"Maureen would be sitting at the bar, ferociously playing charades," said Aspenlieder, who remembered Stapleton as a fun-loving eccentric who would often be seen wearing a housedress and pair of furry boots.

"She was always warm and inviting," Aspenlieder said.

Brought up in a strict Irish Catholic family with an alcoholic father, Stapleton left home in Troy, N.Y., right after high school. With $100 to her name, she came to New York and began studying at the Herbert Berghof Acting School and later at the Actor's Studio, which turned out the likes of Marlon Brando, Paul Newman and Julia Roberts.

Stapleton soon made her Broadway debut in Burgess Meredith's 1946 production of "The Playboy of the Western World."

At age 24, she became a success as Serafina Delle Rose in Tennessee Williams' Broadway hit "The Rose Tattoo," and won a Tony Award. She appeared in numerous other stage productions, including Lillian Hellman's "Toys in the Attic" and Neil Simon's "The Gingerbread Lady," for which she won her second Tony in 1971.

She starred opposite Laurence Olivier in Williams' "Cat on a Hot Tin Roof." Stapleton's friendship with Williams was well-known and he wrote three plays for her, but she never appeared in any of them.

Along the way, she led a chaotic personal life, which her autobiography candidly described as including two failed marriages, numerous affairs, years of alcohol abuse and erratic parenting for her two children.

She often said auditioning was hard for her, but that it was just a part of acting, a job "that pays."

"When I was first in New York there was a girl who wanted to play 'St. Joan' to the point where it was scary. ... I thought 'Don't ever want anything that bad," she recalled. "Just take what you get and like it while you do it, and forget it."

Cast throughout her career in supporting roles, Stapleton was content not playing a lead character, Allentuck said.

"I don't think she ever had unrealistic aspirations about her career," he said.

Beside Allentuck, Stapleton is survived by a daughter, Katharine Bambery, of Lenox and a brother, Jack Stapleton, of Troy, N.Y.
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Re: No one here gets out alive. Dead artist thread.

Postby urnofosiris » Wed Mar 15, 2006 8:39 am

I don't remember half of what I have seen her in, but her face I will never forget, so kind and beautiful till the last. I just looked at her bio at imdb and this apparently is one of her personal quotes:

Moments after winning an Oscar, Ms. Stapleton was asked by the press how it felt to be recognized as one of the greatest actresses in the world; she replied, "Not nearly as exciting as it would be if I were acknowledged as one of the greatest lays in the world."


Damn, grandma :laugh If for nothing else, she should go to heaven for a great sense of humor.
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Re: No one here gets out alive. Dead artist thread.

Postby Gatito Grande » Wed Mar 15, 2006 11:43 am

Her work as Emma Goldman in Reds is one of the greatest supporting performances EVER, IMHO. :applause :bow

GG What she says to Jack Reed (Beatty), who chastises her that it's the "wrong time to be arrested for birth control"? Words to remember, as the U.S. seems poised to enter a new Dark Age... (see re South Dakota, and the Supreme Court :happy) Out

[Strange the obit had no mention of her sister Jean ("Edith Bunker"), w/ whom she was---to her annoyance---constantly confused]
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Re: No one here gets out alive. Dead artist thread.

Postby oneyedchicklet » Wed Mar 15, 2006 12:03 pm

Gatito Grande wrote:
[Strange the obit had no mention of her sister Jean ("Edith Bunker"), w/ whom she was---to her annoyance---constantly confused]


Maureen and Jean Stapleton were not related. See both biographies in IMDB. I thought it was strange also until I looked it up.

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Re: No one here gets out alive. Dead artist thread.

Postby Gatito Grande » Wed Apr 05, 2006 3:20 pm

In a first season episode of the detective show Cold Case about a gay-bashing, an early 1960s gay bar was shown w/ couples dancing to Gene Pitney's "Town Without Pity": I bet many LGBTs made that song theirs over the years... :paranoid



Gene Pitney found dead in hotel
Wrote 'He's a Rebel,' sang 'Town Without Pity'


Wednesday, April 5, 2006; Posted: 11:19 a.m. EDT (15:19 GMT)

LONDON, England (CNN) -- Gene Pitney, the singer and songwriter known for 1960s hits such as "Town Without Pity" and "24 Hours from Tulsa," has died while on a UK concert tour, his agent said.
Pitney, 65, was found dead just after 10 a.m. Wednesday (0500 ET) at the Hilton Hotel in Cardiff, Wales.

His agent, Jene Levy, told Reuters Pitney died on Wednesday morning after given a concert in the Welsh capital the previous day.

There was no immediate word on the cause of death. Friends said he was in apparent good health and his death came as a shock.

"We don't have a cause of death at the moment but looks like it was a very peaceful passing," said Pitney's tour manager, James Kelly, according to The Associated Press.

"He was found fully clothed, on his back, as if he had gone for a lie down. It looks as if there was no pain whatsoever."

South Wales police said they had been called to a hotel at 9:50 a.m. on Wednesday morning and that the death was not being treated as suspicious.

Pitney was born in Hartford, Connecticut, on February 17, 1941.

His 40-year career included hits such as "It Hurts to Be in Love," "(The Man Who Shot) Liberty Valance," "Every Breath I Take," "Town Without Pity," "Only Love Can Break a Heart" and the operatic "I'm Gonna Be Strong." His last U.S. hit was "She's a Heartbreaker" in 1968.

Pitney was also a highly regarded songwriter -- he wrote the Crystals' No. 1 hit, "He's a Rebel," Rick Nelson's smash "Hello Mary Lou" and Bobby Vee's "Rubber Ball." Some of his own hits, though -- "Only Love," "Liberty Valance" and "Tulsa" -- were written by Burt Bacharach and Hal David.

He was an early subject of Phil Spector's Wall of Sound -- Spector produced Pitney's version of Carole King and Gerry Goffin's "Every Breath I Take" as well as the Crystals' "He's a Rebel" -- and an early supporter of British bands such as the Rolling Stones.

Pitney recorded Mick Jagger and Keith Richards' "That Girl Belongs to Yesterday" and attended the session at which the Stones recorded "Not Fade Away," according to Allmusic.com.

Pitney was introduced to a new generation of fans in 1989 when he recorded "Something's Gotten Hold Of My Heart" as a duet with Marc Almond, the UK's Press Association reported.

The single gave Pitney his first UK No. 1 -- 22 years after its first release, PA added.

In 2002 he was inducted into the Rock and Roll Hall of Fame.

Pitney's agent told Reuters that his wife, Lynne, had been told of his death. Pitney also leaves three sons, David, Todd and Chris.


http://www.cnn.com/2006/SHOWBIZ/Music/04/05/obit.pitney/index.html

GG Adios, amigo Out
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Re: No one here gets out alive. Dead artist thread.

Postby oneyedchicklet » Sat Jun 24, 2006 5:24 am

He brought us some great shows in his time.
TV Producer Aaron Spelling Dies at 83

Aaron Spelling, a onetime movie bit player who created a massive number of hit series, from the vintage "Charlie's Angels" and "Dynasty" to "Beverly Hills 90210" and "Melrose Place," died Friday, his publicist said. He was 83.

Spelling died at his mansion in Los Angeles after suffering a stroke on June 18, according to publicist Kevin Sasaki.

Spelling's other hit series included "Love Boat," "Fantasy Island," "Burke's Law," "The Mod Squad," "Starsky and Hutch," "T.J. Hooker," "Matt Houston," "Hart to Hart" and "Hotel." He kept his hand in 21st-century TV with series including "7th Heaven" and "Summerland."

He also produced more than 140 television movies. Among the most notable: "Death Sentence" (1974), Nick Nolte's first starring role; "The Boy in the Plastic Bubble" (1976), John Travolta's first dramatic role; and "The Best Little Girl in the World" (1981), which starred Jennifer Jason Leigh.

During the 1970s and 1980s, Spelling provided series and movies exclusively for ABC and is credited for the network's rise to major status. Jokesters referred to it as "The Aaron Broadcasting Company."

"Aaron's contributions in television are unequaled. To me, he was a dear friend and a truly genuine human being," Jaclyn Smith, the only original "Charlie's Angels" actress who stayed with the show for its entire run, said in a statement Friday.

Success was not without its thorns. TV critics denounced Spelling for fostering fluff and nighttime soap operas. He called his shows "mind candy"; critics referred to them as "mindless candy."

"Charlie's Angels" ushered in a genre known as "jiggle TV" for its gratuitous focus on the female form.

"The knocks by the critics bother you," he admitted in a 1986 interview with The Associated Press. "But you have a choice of proving yourself to 300 critics or 30 million fans. You have to make a choice. I think you're also categorized by the critics. If you do something good they almost don't want to like it."

He liked to cite some of his more creditable achievements, like "Family" (1976-80), a drama about a middle-class family, and "The Best Little Girl in the World."

Among his prestige films for TV: "Day One" (1989), about the making of the atomic bomb; "And the Band Played On" (1992), based on Randy Shilts' book about the AIDS crisis.

Spelling had arrived in Hollywood virtually penniless in the early 1950s. By the 1980s, Forbes magazine estimated his wealth at $300 million. He enjoyed his status, working in a Hollywood office larger than those of golden-era moguls ("I'm slightly claustrophpobic," he explained.) He gifted his second wife, Candy, with a 40-carat diamond ring.

The Spellings' most publicized extravagance was their 56,500-square-foot French chateau in Holmby Hills.

The couple bought the former Bing Crosby estate for $10 million. It was leveled to the ground, along with two other houses. Construction cost was estimated at $12 million.

The two-story house reached a height of 51 feet. Among the features: a one-lane bowling alley, pool, tennis court, gym, screening room. Built on rollers, it easily survived the 1994 Northridge earthquake.

The mansion dwarfed nearby estates, and the neighbors were furious. One woman won an injunction during construction, calling the place "Look-at-me-I'm-rich architecture."

Born on April 22, 1923, Spelling grew up in a small frame house on Browder Street in Dallas "on the wrong side of the tracks," he wrote in his 1996 autobiography. He was the fourth son of immigrant Jews, his father from Poland, mother from Russia. The father's name, Spurling, was simplified to Spelling by an Ellis Island official.

"I grew up thinking 'Jew boy' was one word," the producer wrote in his memoir, "Aaron Spelling: A Prime-Time Life." He was considered strange by his Dallas schoolmates because his parents spoke Yiddish. He was subjected to anti-Semitic taunts and beatings on his way home from school.

At 8, the boy suffered what he termed a nervous breakdown, and he spent a year in bed. He later considered that period the birth of his creative urge. He fell in love with great storytellers, especially O. Henry. Of his early TV series he said, "They are all O. Henry short stories."

"I still have nightmares about being in a $6,000 house in Dallas, Texas," he remarked in a 1996 AP interview. "Wall-to-wall people, one bathroom. I was the one to go to the local bakery a block away on Saturday to get the day-old stuff."

Spelling enlisted in the Army Air Corps after graduating from high school in 1942.

After combat and organizing entertainment in Europe during the war, Spelling returned to Texas and enrolled at Southern Methodist University, where he wrote and directed plays. He continued working in local theatrics after graduating.

Finding no work in New York, Spelling moved to Los Angeles, where he staged plays and acted in more than 40 TV shows and 12 movies. His skinny frame suited him for the role of a ragged beggar in the MGM musical "Kismet." He worked for three weeks, repeating his one line: "Alms for the love of Allah."

The "Kismet" experience resulted in two decisions: he abandoned acting for the typewriter; he married a young actress he had been courting, Carolyn Jones. She became well-known, especially as Morticia in "The Addams Family" series. They divorced after 13 years, and she died of cancer in 1983.

Spelling's friendship with such actor-producers as Dick Powell, Jack Webb and Alan Ladd led to his rapid rise as a prolific writer and later producer of TV series. In 1960, Powell, head of Four Star Productions, hired him to produce shows for Powell himself, his wife June Allyson and Lloyd Bridges. "Burke's Law," with Gene Barry as a millionaire detective, became the first hit series Spelling created.

After Powell's death, Spelling teamed with Danny Thomas in a production company, scoring a huge success with "The Mod Squad," about a trio of youthful undercover cops. In 1969, Spelling began an exclusive contract with ABC, helping the network to rise from a low third place to the top of the network ratings. Former ABC programming chief Leonard Goldberg joined him as partner in 1972.

After ABC canceled "Dynasty" in 1989 and his contract with the network had ended, Spelling found himself without a show on the air for the first time since 1960.

"I was so depressed, I would have quit, but I like TV too much," Spelling wrote in his memoir. Besides, his company had started issuing stock in 1986, and he had an obligation to his investors. After a year's respite, he returned with "Beverly Hills 90210," which helped launch the fledgling Fox Network into the bigtime. "Melrose Place" gave Fox another hit.

Throughout his career, Spelling maintained the same image: the skinny frame, slightly hawkish face. He usually posed with a pipe in his mouth, a custom he adopted early after seeing stars with pipes in fan magazine photos.

Spelling and his second wife, Candy, had two children, Tori (for Victoria), who became a star on the two Fox serials ("Now I'm known as Tori Spelling's father," he said in mock lament), and Randy, who appeared in the short-lived "Malibu Shores."

Spelling set a record of producing more than 3,000 TV episodes. Besides the TV movies, he produced 10 theatrical films including "California Split," "Mr. Mom." "'night, Mother," "Loose Cannons" and "Soapdish."

Memorial services were pending.
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Re: No one here gets out alive. Dead artist thread.

Postby WebWarlock » Tue Jun 27, 2006 1:24 pm

Does this one count?

http://www.chicagotribune.com/news/loca ... i-news-hed

Farewell, 'Frasier' buddy

Published June 27, 2006


Moose, the feisty Jack Russell terrier who played Eddie for 10 years on TV's "Frasier," has died, his trainer Mathilde Halberg told People magazine.

Moose, considered the Lassie of the '90s, died Thursday night of old age at Halberg's Los Angeles-area home.

"He was 16-and-a-half years old, and he just had an incredible charisma and was a such a free spirit," Halberg said.

Moose retired from showbiz at age 10. Although he also played a starring role in the 2000 Frankie Muniz-Kevin Bacon feature "My Dog Skip" (as the older Skip), he was best known for stealing scenes from Kelsey Grammer on the long-running Emmy-winning NBC sitcom.

"He was always trying to put Frasier in uncomfortable circumstances," said his trainer, who had rescued him from the pound in the early 1990s.
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Re: No one here gets out alive. Dead artist thread.

Postby WebWarlock » Tue Jul 11, 2006 11:37 am

Shine on you crazy diamond...

Syd Barrett, Founder of Pink Floyd, Dies

By JILL LAWLESS
Associated Press Writer
Published July 11, 2006, 12:45 PM CDT


LONDON -- Syd Barrett, the troubled Pink Floyd co-founder who spent his last years in reclusive anonymity, has died, the band said Tuesday. He was 60.

A spokeswoman for the band said Barrett died several days ago, but she did not disclose the cause of death. Barrett had suffered from diabetes for years.

The surviving members of Pink Floyd -- David Gilmour, Nick Mason, Roger Waters and Richard Wright -- said they were "very upset and sad to learn of Syd Barrett's death."

"Syd was the guiding light of the early band lineup and leaves a legacy which continues to inspire," they said in a statement.

Barrett co-founded Pink Floyd in 1965 with Waters, Mason and Wright, and wrote many of the band's early songs. The group's jazz-infused rock and drug-laced, multimedia "happenings" made them darlings of the London psychedelic scene. The 1967 album "The Piper at the Gates of Dawn" -- largely written by Barrett, who also played guitar -- was a commercial and critical hit.

But Barrett suffered from mental instability, exacerbated by his use of LSD. His behavior grew increasingly erratic, and he left the group in 1968 -- five years before the release of Pink Floyd's most popular album, "Dark Side of the Moon" -- to be replaced by Gilmour.

Barrett released two solo albums -- "The Madcap Laughs" and "Barrett" -- but soon withdrew from the music business altogether. An album of previously unreleased material, "Opel," was issued in 1988.

He reverted to his real name, Roger Barrett, and spent much of the rest of his life living quietly in his hometown of Cambridge, England. Moving into his mother's suburban house, he passed the time painting and tending the garden. His former bandmates made sure Barrett continued to receive royalties from his work with Pink Floyd.

He was a familiar figure to neighbors, often seen cycling or walking to the corner store, but rarely spoke to the fans and journalists who sought him out over the years.

Despite his brief career, Barrett's fragile, wistful songs influenced many musicians, from David Bowie -- who covered the Barrett track "See Emily Play" -- to the other members of Pink Floyd, who recorded the album "Wish You Were Here" as a tribute to their troubled bandmate.

It contained the song "Shine On You Crazy Diamond" -- "Remember when you were young, you shone like the sun." The band also dwelt on themes of mental illness on the albums "Dark Side of the Moon" and "The Wall."

The band spokeswoman said a small, private funeral would be held.


Syd was one of rock's most tragic figures. A genius by most respects he undid his life, his career and his mind with drugs, yet despite his short tenure with the band his effects were seen for years.

I would say I would miss him, but I have been missing him for years.


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Tara: "My whole life has been 'Tara, don't use your magic.' 'Tara, hide your powers.' 'Tara you will scare someone.' But you tried to hurt and then kill Willow. So maybe it is time I showed everyone just how powerful I am."
- The Dragon and the Phoenix, Episode 7: The Road to Hell
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Re: No one here gets out alive. Dead artist thread.

Postby Knock yourself out » Tue Jul 11, 2006 12:30 pm

June Allyson has died:
Actress June Allyson, the perky blond with the husky voice who was one of Hollywood's most beloved stars in the 1940s and 1950s, has died. She was 88.
Allyson rose from teenage chorus girl on Broadway to contract player for MGM. She began in Hollywood as a dancer and singer in short films. She later co-starred with Jimmy Stewart, Humphrey Bogart, Van Johnson and Dick Powell in a series of wifely and other supportive roles. Powell became her real-life husband in 1945; he died in 1963.

Petite at barely 5 foot 1 and weighing less than 100 pounds, she was everybody's sweetheart. As Ginger Rogers once said of her, "She's the girl every man wants to marry and the girl every woman wants as a friend."

Her simple, blond pageboy, Peter Pan collars and no-nonsense manner stamped her as the all-American girl next door, the woman millions of GIs wanted to come home to. She was consistently voted a top star by movie magazines and box office surveys.

Among her more well-known movies were her breakthrough film, "Two Girls and a Sailor," in which she co-starred with Johnson and Gloria DeHaven; the 1949 remake of "Little Women," playing the tomboy Jo; and three movies with Stewart: "The Stratton Story," "The Glenn Miller Story" and "Strategic Air Command."

After she married Powell and had two children, Allyson made a few films and TV movies and had her own TV show, an anthology series, from 1959 to 1961.

After his death, she continued working in films and appeared on Broadway, succeeding Julie Harris in "40 Carats." She also appeared on many television programs, with guest spots on CBS' "The Judy Garland Show" and roles in several series.

But life was not easy for Allyson after Powell's death. Talking to CNN's Larry King in 2001 about what she called her "tunnel years," Allyson said, "I just locked myself away and — I found the bottle."

She married and divorced Powell's barber — twice. She said she felt her ties to the "good life" were unraveling.

She credited Ashrow, a dentist turned actor whom she married in 1976, with helping her to turn her life around.

Drinking and some relationship troubles hardly represented the good-girl image of Allyson that was fostered throughout her career both by her own sunny personality and the Hollywood publicity machine.

Although Allyson gave various birth dates for herself over the years, her daughter, in Santa Monica, said she was born Oct. 7, 1917. For 13 years, Allyson's studio biography also stated that she was born "Jan Allyson" to French-English parents. But her daughter said Allyson was born Eleanor Geisman to a French mother and Dutch father.

Allyson wrote in her autobiography that a choreographer for "Sing Out the News," her first Broadway show, decided she needed a new name, although she told CNN's King that "actually, it was George Abbott," the famed Broadway director.

She said Abbott liked the name June because it was "kind of sunny," and she picked Allison, which was a family name, and changed the spelling slightly.
(New York Times)
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Re: No one here gets out alive. Dead artist thread.

Postby WebWarlock » Thu Aug 17, 2006 10:25 am

Bruno Kirby died.

http://www.cnn.com/2006/SHOWBIZ/Movies/ ... index.html


Character actor Bruno Kirby, 57, dies

LOS ANGELES (AP) -- Bruno Kirby, a veteran character actor who co-starred in "When Harry Met Sally," "City Slickers" and many other films, has died at age 57, his wife said Tuesday.

Kirby died Monday in Los Angeles from complications related to leukemia, according to a statement from his wife, Lynn Sellers. He had recently been diagnosed with the disease.

"We are incredibly grateful for the outpouring of support we have received from Bruno's fans and colleagues who have admired and respected his work over the past 30 years," his wife said. "Bruno's spirit will continue to live on not only in his rich body of film and television work but also through the lives of individuals he has touched throughout his life."

Kirby was perhaps best known for his roles opposite Billy Crystal in 1989's "When Harry Met Sally" and 1991's "City Slickers."

Other film credits included "Good Morning, Vietnam," "The Godfather: Part II" and "Donnie Brasco." More recently, he played Phil Rubenstein on the HBO series "Entourage."


My of my friends hated him in "Good Morning Vietnam" but I thought he was great in it. I never cared for many of his other movies, but never due to him.

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Tara: "My whole life has been 'Tara, don't use your magic.' 'Tara, hide your powers.' 'Tara you will scare someone.' But you tried to hurt and then kill Willow. So maybe it is time I showed everyone just how powerful I am."
- The Dragon and the Phoenix, Episode 7: The Road to Hell
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Re: No one here gets out alive. Dead artist thread.

Postby SithLordWiccan » Thu Aug 17, 2006 9:10 pm

Tony Jay has died.

http://www.poetsonbroadway.com/1Intro.htm

Veteran Royal Shakespeare Actor and Voice artist Tony Jay having been in critical condition following micro surgery at Cedar Sinai Hospital, in April, loses long fight to recover.

In April 2006, Tony Jay was admitted to Cedar Sinai Hospital for micro surgery to remove a non cancerous tumor from his lungs. In recovery his vital signs became critical and since April through strength and determination he began to recover both his breathing and mobility.

Although it was a possibility that he might have been able to return home, in the next few months, on Sunday Tony Jay was unable to realize that dream. He is survived by his wife Marta and his son Adam, who follows in his fathers footsteps in the field of Acting.

Tony Jay leaves a vast legacy of work in television, voice and film, with appearances with Arnold Schwartzenegger, Danny Devito, Woody Allen, Karl Malden, Kim Bassinger, Dan Ackroyd to name a few. His television performances include Beauty and the Beast (as the arch-villain Paracelcus), Golden Girls, Murphy Brown, Hunter, Bob Newhart, Night Court, Star Trek, Lois and Clark, Sisters and recently Burning Zone. His work in voice acting includes Mighty Max, Bruno the Kid, Tale Spin, Savage Dragon, Reboot and many more. His role as Judge Frollo in Disney's "Hunchback of Notre Dame", a role that has been been critically acclaimed as "probably the best Disney villain to date".

His recent self produced CD "Poets on Broadway" revealed his passion for the Broadway musical with his voice guiding the lyrics of some of the greatest Broadway songs, accompanied by his own arrangements, played by himself.

He will be laid to rest on Saturday, August 19, 2006 at Forest Lawn Memorial Park Hollywood, California.


I always liked him in "Reboot". And that episode of "Star Trek: TNG" in which he guest starred was a funny one.
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Re: No one here gets out alive. Dead artist thread.

Postby VMarie » Mon Sep 04, 2006 7:19 am

Steve Irwin "The Crocodile Hunter" died Monday from a stingray attack. He got too close and the poisonous barb on the tail pierced his ribcage and put a hole in his heart.

MSNBC.com link here: http://www.msnbc.msn.com/id/14663786/?GT1=8506

It's a shame...he was wacky and goofy on tv, but he loved what he did, was dedicated to animals, and I guess died doing what he loved. I feel bad for his wife and two kids.
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Re: No one here gets out alive. Dead artist thread.

Postby russ » Sun Oct 22, 2006 4:09 am

Opera singer and comedian Anna Russell dies
Last Updated: Saturday, October 21, 2006 | 12:03 PM ET
CBC Arts

Opera singer and comedian Anna Russell, who lived in Canada for much of her life, has died at age 94.

“She went very peacefully,” said her adopted daughter Deirdre Prussak, who announced her mother’s passing late Friday. Prussak said Russell died in the Australian coastal town of Batemans Bay on Wednesday. She did not divulge the cause of death.

The singer was known for her comedic style, in which she would parody famous operas such as Richard Wagner’s epic The Ring and operettas by Gilbert and Sullivan.

"Every time I did something [while singing at the BBC], even though I was being very serious, everyone would laugh and scream … I thought that if people were going to laugh anyway, I might as well go along with the gang,” Russell once said.

Ezra Schabas, a professor emeritus at the University of Toronto’s faculty of music, said Russell had a “great sense of timing.”

“She'd know just when to stop and wait for a laugh, and she'd always get it … She was a born comic.”

Russell began her career as a folk singer, working for BBC Radio. Her mother was a native of Kingston, Ont., and the singer moved to Canada in 1939.

She made her debut on Canadian airwaves in 1940 on a local Toronto radio program called Round the Marble Arch. She was also heard on CBC’s Jolly Miller Time and co-hosted CJBC’s Syd and Anna Show in Toronto.

She married Canadian artist Charles Goldhamer soon after and had her first one-woman musical show in 1942 in the Eaton Auditorium. Eventually the singer began performing with the Toronto Symphony Orchestra at its annual Christmas concerts during the 1940s.

In 1947 she made her American debut at Carnegie Hall in New York City. She made several records and appeared with many leading orchestras in North America and around the world.

Russell played the witch in Hansel and Gretel in New York City and San Francisco. She appeared on Broadway in 1955 with Anna Russell’s Little Show and again in 1960 with All by Myself.

Russell also played the Duchess of Crakentorp in the Canadian Opera Company’s Daughter of the Regiment in 1977.

The singer’s recitals continued into the 1980s with appearances in South Africa, Malaysia and Hong Kong. She retired in 1986.


For anyone unfortunate enough not to have heard of Anna Russell, I urge you to seek out her CD's, which are still available. If anyone thinks classical music is all stuffy and serious, Anna is the remedy.

She made the world a happier place.

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Re: No one here gets out alive. Dead artist thread.

Postby skittles » Mon Oct 23, 2006 6:16 am

Jane Wyatt gained fame as a TV mom

BY BOB THOMAS
ASSOCIATED PRESS

October 23, 2006

LOS ANGELES -- Jane Wyatt, who for six years on "Father Knows Best" was one of TV's favorite moms, died Friday, her son Christopher Ward said Sunday. She was 96.

Wyatt died in her sleep of natural causes at her home in Bel-Air, Calif., according to publicist Meg McDonald.

She had a successful film career in the 1930s and '40s, notably as Ronald Colman's lover in 1937's "Lost Horizon."

But it was her years as Robert Young's TV wife, Margaret Anderson, on "Father Knows Best" that brought her fame. She appeared in 207 half-hour episodes from 1954 to 1960 and won three Emmys for being the best actress in a dramatic series in 1958-60. The show began as a radio sitcom in 1949.

"Being a family show, we all had to stick around," she once said. "Even though each show was centered on one of the five members of the family, I always had to be there to deliver such lines as 'Eat your dinner, dear,' or 'How did you do in school today?' We got along fine, but after the first few years, it's really difficult to have to face the same people day after day."

In later years, critics said shows like "Father Knows Best" and "Ozzie and Harriet" presented a glossy, unreal view of the American family.

In defense, Wyatt said in 1966: "We tried to preserve the tradition that every show had something to say. ... We weren't just five Pollyannas."
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Re: No one here gets out alive. Dead artist thread.

Postby WebWarlock » Wed Dec 13, 2006 1:49 pm

Peter Boyle is dead.

http://www.chicagotribune.com/entertain ... i-news-hed

`Raymond' Dad Peter Boyle Dies in NYC

By DEEPTI HAJELA
Associated Press Writer
Published December 13, 2006, 1:16 PM CST


NEW YORK -- Peter Boyle, the actor who transformed from an angry workingman in "Joe" to a tap-dancing monster in "Young Frankenstein" and finally the comically grouchy father on "Everybody Loves Raymond," has died. He was 71.

Boyle died Tuesday evening at New York Presbyterian Hospital. He had been suffering from multiple myeloma and heart disease, said his publicist, Jennifer Plante.

"It's like losing a spouse," Doris Roberts, who played his wife on "Raymond," said in a statement. "I'm going to miss my dear friend, so unlike the character he played on television. He's a brilliant actor, a gentleman, incredibly intelligent, wonderfully well read and a loving friend."

A member of the Christian Brothers religious order who turned to acting, the tall, prematurely balding Boyle gained notice in the title role of the 1970 sleeper hit "Joe," playing an angry, murderous bigot at odds with the emerging hippie youth culture.

Briefly typecast in tough, irascible roles, Boyle began to escape the image as Robert Redford's campaign manager in "The Candidate" and left it behind entirely after "Young Frankenstein," Mel Brooks' 1974 send-up of horror films. The latter movie's defining moment came when Gene Wilder, as scientist Frederick Frankenstein, introduced his creation to an upscale audience. Boyle, decked out in tails, performed a song-and-dance routine to the Irving Berlin classic "Puttin' On the Ritz."

It showed another side of Boyle, one that would be best exploited in the sitcom "Everybody Loves Raymond," in which he played curmudgeonly paterfamilias Frank Barone for 10 years.

"He's just obnoxious in a nice way, just for laughs," Boyle said of the character in a 2001 interview. "It's a very sweet experience having this (success) happen at a time when you basically go back over your life and see every mistake you ever made."

When Boyle tried out for the role opposite series star Ray Romano's Ray Barone, however, he was kept waiting for his audition -- and he was not happy.

"He came in all hot and angry," recalled the show's creator, Phil Rosenthal, "and I hired him because I was afraid of him." But Rosenthal also noted: "I knew right away that he had a comic presence."

Boyle had first come to the public's attention more than a quarter century before, in the critically acclaimed "Joe." He met his wife, Loraine Alterman, on the set of "Young Frankenstein" when she visited as a reporter for Rolling Stone magazine and Boyle, still in monster makeup, asked her for a date.

On television, he starred in "Joe Bash," an acclaimed but short-lived 1986 "dramedy" in which he played a lonely beat cop. He won an Emmy in 1996 for his guest-starring role in an episode of "The X Files," and he was nominated for "Everybody Loves Raymond" and for the 1977 TV film "Tail Gunner Joe," in which he played Sen. Joseph McCarthy.

In the 1976 film "Taxi Driver," he was the cabbie-philosopher Wizard, who counseled Robert DeNiro's violent Travis Bickle.

He did dozens of other films, including "T.R. Baskin," "F.I.S.T.," "Johnny Dangerously," "Conspiracy: Trial of the Chicago 8" (as activist David Dellinger), "The Dream Team," "Monster's Ball," "The Santa Claus," "The Santa Claus 2," "While You Were Sleeping" (in a charming turn as Sandra Bullock's future father-in-law) and "Scooby Doo 2: Monsters Unleashed."

The son of a local TV personality in Philadelphia, Boyle was educated in Roman Catholic schools and spent three years in a monastery before abandoning his religious studies. He later described the experience as similar to "living in the Middle Ages."

He explained his decision to leave in 1991: "I felt the call for awhile; then I felt the normal pull of the world and the flesh."

He traveled to New York to study with Uta Hagen, supporting himself for five years with various jobs, including postal worker, waiter, maitre d' and office temp. Finally, he was cast in a road company version of "The Odd Couple." When the play reached Chicago he quit to study with that city's famed improvisational troupe Second City.

Upon returning to New York, he began to land roles in TV commercials, off-Broadway plays and finally films.

Through his wife, a friend of Yoko Ono, the actor became close friends with John Lennon. "We were both seekers after a truth, looking for a quick way to enlightenment," Boyle once said of Lennon, who was best man at his wedding.

In 1990, Boyle had a stroke and couldn't talk for six months. In 1999, he had a heart attack on the "Raymond" set. He soon regained his health, however, and returned to the series.

Despite his work in "Everybody Loves Raymond" and other Hollywood productions, Boyle made New York City his home. He and his wife had two daughters, Lucy and Amy.


I loved him in "Young Frankenstein".

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Re: No one here gets out alive. Dead artist thread.

Postby werewolf123 » Wed Dec 13, 2006 3:07 pm

I first saw Boyle in "Joe" and wondered for years why that great actor ,had not gotten a breakout role. R.I.P.
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Re: No one here gets out alive. Dead artist thread.

Postby Knock yourself out » Tue Dec 19, 2006 3:12 am

RIP Joseph Barbera.

The man who along with William Hanna made my childhood a funnier place - Tom & Jerry, Scooby Doo and the rest.
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Re: No one here gets out alive. Dead artist thread.

Postby DaddyCatALSO » Wed Dec 20, 2006 6:15 am

All these years I'd never known until now that PEter Boyle was actually the son of a local kiddie show host who died when I was veyr small.
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