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"São só dois lados da mesma viagem.
O trem que chega é o mesmo trem da partida."
Encontros e Despedidas - Maria Rita
(What happened to the wife: oh joy, I guess there are more Jack-centric eps to explain that
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) Is there some reason Kate got this responsibility? Was Jack just thinking "Well, she's a woman, and Claire's a woman, so . . . ?" What did people think of Jin getting Charlie to revert to the old-fashioned "Childbirth is no place for a male" business? Personally, I don't like that: if you need extra hands in the (medical) procedure, then it shouldn't matter if they're male or female.- - - - - - - - - - -
"São só dois lados da mesma viagem.
O trem que chega é o mesmo trem da partida."
Encontros e Despedidas - Maria Rita
Totally!!Quote:
Re Claire's first nightmare (w/ the baby-crib mobile): anyone else flashback to The X-files (and Scully's baby)?
Do they call it "Les Perdus" or simply "Perdu"?
Culzean wrote:Then there was the scene where Boone is in the cockpit of the heroin smugglers plane, using the radio. He says "We're survivors of Oceanic Flight 815." And it sounds like the guy on the other end of the radio is saying "There were no survivors from Oceanic Flight 815."
Culzean wrote:One of the many theories about this show is that all of the survivors are dead and hanging out in purgatory.

BFR from Paris wrote:
Sorry, I'm late, I've just discovered this show and already I can't get enough of Kate climbing trees!
Personally I think that shows with a dense plot should be limited series. I'm tired of shows that stay on till they rot and smell. I'm tired of folks with no plan pulling something out of their @ss and claiming it's art and genius. At least "Lost" shows us you can have a diverse cast (with *gasp* even Asians) on TV without the world ending.The television series "Lost," created by J.J. Abrams with Damon Lindelof, reminds many of us of the abuse we suffered from David Lynch's "Twin Peaks" and Chris Carter's "The X-Files"--how we watched those shows beyond all reasonable limits of loyalty, waiting for the deliberately opaque Lynch and Carter to grant their audiences anything in the way of satisfaction, closure, solution. We never got it.
And so we're drawing the line here, saying "no": no to the complicated plot lines of "Lost" that never budge an inch. No to the ceaseless, layered mysteries that will never be solved. No to the hidden details, objects, phrases and numbers that actually have no meaning whatsoever. No to the picture of Matthew Fox wearing tight pants in the latest GQ. (Well, yes, but no.)
Television reporters confronted Abrams earlier this year, demanding to know whether the essential thread of "Lost"--several dozen people survive an airline crash on an uncharted Pacific island and must now survive one another, polar bears and other beasts--was really leading anywhere, or if the writers were, in fact, in over their heads. The producers and writers say there's a method to their madness and that "Lost" will soon make sense. Theories about the show abound: The castaways are actually in Purgatory. The plane crash was a government experiment in human behavior.
Really, it's about B-list television stars who chanced into a decent pilot episode and now find themselves trapped in "Lost," and who will be back for another season. It's about the audacity of Abrams--pitching "Lost" to ABC without any plan for what happens next. Why can't "Lost" just be one season long, wrap up its tale in a taut and captivating manner, and then let everyone move on? Because that would be artistically sensible, but bad for network profits, syndication deals, etc. Because that does not take into account the creator's estimation of his genius or the cast members' sense of their own star power. Imagine not an enigmatic tropical island but a cork bulletin board in a network conference room, covered in index cards, none of them making sense. That's what the people at "Lost" hope we never discover.


I don't think it is unreasonable to look at what other similar shows have done and use that knowledge to colour what one thinks of this one. Though I certainly don't advocate that everyone must or should do that. The show's producer, Lindelof, himself has made such a reference to other shows.I don´t care what other shows did.
I posted the full article on Feb 9th in this thread."As a member of the community who loved 'The X-Files' for all those years and felt bummed out by the end of it, all I can say is, we're cognitive of trying not to go down the same path," says Lindelof.


), so I might have missed some important exposition points. Can someone fill me in? Thanks!


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