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"We're doing the lords work....I am his servant"
Quote:
"We're doing the lords work....I am his servant"
Frankin is probably straight, my money's on Wes, but I wish he'd pick Brian. Out Ben
"We are all one. And if we do not know, we will learn it the hard way."
-- Bayard Rustin, organizer of the 1963 March on Washington
, but I just got back from seeing Pirates of the Carribbean and dear god its fantastic!
she's my everything
Sweetie, I'm a fag. I been there. - Tara (Dead Things shooting script)
A muscle cramp? in your. . . pants? - Tara (Older & Far Away)
. Willow: I don't think you wanna help. I think you just wanna slay the demon, then go "la, la, la."
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"Freedom is just another word for nothing left to lose."
-Me & Bobby
McGee
. I got invited to a press show in London last week and saw the almost finished cut (bar the closing credits) of Volume 1. The film has been cut into two volumes, and the first ends on an absolute bitch of a cliffhanger!
but I absolutely loved it. Pixar just keep on growing and growing, and I'm pretty sure it's going to be a shoo-in for Best Animated feature at this years Oscars. Crush the 150 year old surfer turtle just rules!
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"Freedom is just another word for nothing left to lose."
-Me & Bobby
McGee
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"Freedom is just another word for nothing left to lose."
-Me & Bobby
McGee
________
"Oh, good! I was hoping to add theft, endangerment and insanity to my list of things I did today."
"Ah! You, too?"
(Stitch laughs delightedly)
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Prey for Rock and Roll
This is a little film made on a modest budget that you can tell was a labor of love for all involved. It’s the story of an all-girlL.A. band whose lead member, played by Gina Gershon, is reaching the age where she has to make some hard decisions as to whether or not to go on. It’s based on the memoirs of real-life rocker Cheri Lovedog (who also wrote the songs) and is directed by first-timer Alex Steyermark, who’s been the music supervisor for dozens of feature films.
The film doesn’t glamorize the rock lifestyle – far from it. Instead it emphasizes the hard knocks that a band has to endure on the road to that ever-elusive recording contract: the hauling of heavy equipment…..the practice sessions in decrepit surroundings….the one-night stands that pay peanuts…..the day jobs that the members dare not quit. The trappings really feel genuine.
The cast – which includes Drea De Matteo, Gilmore girl Shelly Cole, and Lori Petty (who’s been pretty scarce since TANK GIRL tanked) as the other band members -- is excellent, but this is clearly Gershon’s picture. She’s the central character, does her own singing, and also does some very humorous voiceover narration. (Steyermark mentioned in the post-screening Q & A that nobody else was considered for the role.) She really shines in this part, which, combined with her Crystal Connors character in SHOWGIRLS, can only solidify her standing as teamHollywood’s top switch-hitter. (She goes down with a girlfriend early in the film, but late in the movie, she’s genuinely intrigued by a VERY unique male opportunity.)
The music is excellent also … there’s going to be a CD released shortly. The girls are very well-coached for the performance numbers, with the playing not looking phony at all. And with their wildly contrasting appearances, they genuinely LOOK like a girl band.
There’s humor, there’s tragedy, and there’s definitely ROCK in the course of a very tight storyline enhanced by the realistic surroundings. Consider this the antidote if you’re ever contaminated by exposure to JOSIE AND THE PUSSYCATS.
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"Freedom is just another word for nothing left to lose."
-Me & Bobby
McGee
Quote:
Simply irresistable
Gina Gershon once again turns the world on with her smile — and everything else — in Prey for Rock and Roll
By Alonso Duralde
Excerpted from The Advocate, September 30, 2003
To paraphrase the old Sara Lee ad, nobody doesn't like Gina Gershon. She turns everyone on: Lesbians, straight men, straight women, and gay men alike find themselves melting under the heat of Gershon's on-screen sexuality, particularly in her legendary girl-on-girl love scenes with Jennifer Tilly in 1996's Bound.
Gershon's dark sensuality — and of course, her considerable acting chops — even helped her to rise above the rubble of her film previous to Bound, Paul Verhoeven's famously disastrous Showgirls from 1995. And while the film became a midnight-movie fave for camp-loving queens, Gershon became an instant queer icon for fag and dyke alike.
In October, Gershon's status as a straight "dykon" will be enhanced even further with the release of Prey for Rock and Roll, based on Cheri Lovedog's autobiographical stage play. Gershon stars as Jacki, a rocker who's hitting her "I'm still here" years and worrying that she may never make it big. And while the talented Gershon gives one of her most powerful performances in the film — along with singing and playing guitar herself — many of her fans will no doubt be most abuzz over her steamy tryst with Shakara Ledard.
Over lunch in West Hollywood, Gershon's enthusiasm for the project and her character is clearly evident. With refreshing candor, she also talks frankly about aging in Hollywood, the fervor of her lesbian following, and how she completely changed her acting strategy during Showgirls.
The milieu of the movie is all very lived-in. What the houses look like and the way people live — the whole atmosphere really rang true. Did you research current people or famous acts like the Runaways at all?
I was hanging out with Joan Jett; she taught me how to play the guitar for this. Because I didn't play rock, so I had to learn to perform in a different way. It's more your whole arm instead of just this [strums]. [Director] Alex [Steyermark] really knows that world quite well. Everyone who worked on this movie — it certainly wasn't for the money, you know? [Chuckles] It's low-budget, and I think people who worked on it did it because they related to it and they loved the story.
And fans will love that girl-on-girl love scene you've got going.
Isn't she cute?
She's adorable. I asked a female co-worker about what she likes about your love scenes, and she said, "She always seems to be focusing on the other woman rather than where her cue light is or where the camera is."
Well, yeah — when you're having sex with someone, you're not thinking about your lighting.
And you're committed to it. It's very sexy.
You know what? I like love scenes a lot because I think they show a real parameter of who the character is. I didn't know who we were going to get, but I said, "She's got to be hot." I kept saying, "I really want a black chick or a Latino chick — everyone's so white in the movies." I saw a picture of her, and I thought, Please, God, let her be able to act. She's so incredible-looking, and she'd never acted before, but I said, "She could do it, she could do it." She's so funny. She said, "OK — I've never acted before; I've never kissed another woman…I'm all yours, mama." [Laughs] I felt very responsible, and I was very protective of her.
You were advised not to do Bound, and you did it anyway. When Prey came along, did you ever think, Oh, God, I can't ever do another lesbian love scene?
Obviously — well, not obviously — I've gotten a lot of offers to play lesbians. But honestly, I don't look at characters as to whether they're lesbians or straight; I just look at the character. It didn't really occur to me that I was playing a lesbian. When I saw the first screening of the movie when they first put it together, and I saw the scene with Lori [Petty] and Shelly [Cole] — they're really the lesbian girls of the movie — I literally thought, Oh, my God, I just did another lesbian movie! [Laughs] But you know, the thing I like is that a lot of the reviews — obviously, you'll bring it up because you're The Advocate — a lot of the reviews don't really mention it, which I really like because it's really not about that. They're these girls in a band who happen to be lesbians. It's not a big deal.
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"I want to be Byron... because I want to date young boys." Amber Benson
BB:Hello Xander...and Anya, how is your money?!
A:Fine!Thank you for asking!
)“Spirit of Sappho, ... I summon you. Come fill me with your big, dykey power!” ~ Final Exam by Tommo
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