Ah well, another show to watch. I've been told I watch too much tv
Is there a hyphen in anal-retentive?
Is there a hyphen in anal-retentive?
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Wow! Rachel Ticotin.
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Die Mommie Die
(2003, )
90 minutes Color
Director: Rucker, Mark
Starring: Charles Busch ; Jason Priestley ; Natasha Lyonne
Charles Busch is best known as a playwright, director and actor on and far-off Broadway, though he gained a new following with his recurring role on HBO's "Oz." His "Tale of the Allergist's Wife" was a huge mainstream hit on the Great White Way, while his campy, long-running "Vampire Lesbians of Sodom" catapulted him into the elite air of the late Charles Ludlam among fans of edgy/bawdy downtown drag shows. Busch's only other film is "Psycho Beach Party," a spoof based on his own play. But "Die Mommie Die" seems destined to be Busch's signature film. Not only does it deliver plenty of the writer's witty, over-the-top skill at Hollywood parody, it features Busch himself in a number of wild drag getups that are, well, to die for.
Busch plays singer Angela Arden, a Hollywood has-been whose better days are recreated in black-and-white TV clips. Dressed in kitschy '60s caftans and headscarves, Arden passes her days drinking, haranguing her surly daughter Edith (Natasha Lyonne), lusting after her young gigolo (Jason Priestley in a Ted Casablanca spoof) and trying to revive her singing career.
The fun of "Die Mommie Die" is Busch's reclaiming and respinning of Hollywood camp, from the boozy broads of "Valley of the Dolls" to the deliciously lurid "Whatever Happened to Baby Jane?" There's lots of wink-winking in the film, but it strikes a balance between high camp and lowbrow that will please both sophisticates and fans of raucous comedy. Busch parodies '50s and '60s popular culture in the reverse of Todd Haynes' "Far From Heaven," the fastidious homage to Hollywood melodrama. Busch's satire is equally spot-on -- check out the clip of Angela singing in a TV special -- but the era gets more of an over-the-top send-up than reverential treatment.
How can Busch be reverent when his subject matter is as joyously campy as Angela's dysfunctional family, including her blowhard husband Sol Sussman (Philip Baker Hall), a Hollywood mogul from the Joe Levine/Dino DeLaurentis school who makes prestige pictures. When Sol pulls the plug on Angela's attempt to revive her career with a gig in the Poconos, she tries to kill him with an arsenic-laced suppository.
A loyal, mysterious maid, played by Frances Conroy of "Six Feet Under," echoes the twisted maids in films ranging from "Rebecca" to "Mommie Dearest." Busch draws on "Mommie Dearest and Joan Crawford's steely, wacko persona throughout the film. There's a delicious reading-of-the will scene, an acid trip shot with all the tacky, surreal nuttiness of a B-movie, a competitive relationship with Daddy's girl Edith and a vaguely incestuous one with her horny gay son, Lance (Stark Sands).
Lyonne has some delightful moments in her role as the spoiled, conniving Edith, recycling some of her campy characterization from "But I'm a Cheerleader." The twist at the end -- echoes of "Baby Jane" -- cleverly ties up the story in a way few broad comedies ever bother to do.
But the heart of the film is all Charles Busch, who captures the indulgences and fun of glossy soap operas and Technicolor melodramas, but never lets his spoofing condescend to the audience or sink into mean-spiritedness.
The anarchy in "Die Mommie Die" is of the John Waters school: There's a big-hearted humanity to these narcissistic, often clueless characters, even when they're telling dick jokes, getting drunk at funerals, engaging in threeways in front of the kids or committing murder.
OutQuote:
At least eastenders are getting with the times; we've had gay characters before (hehe remember tony and simon!?) but not girls.
Life can suck, but at least there's chocolate - Cicca
Supercalifragilisticexpialidocious.
Even though the sound of it is something quite atrocious. ...
That's all I'll say! Is there a hyphen in anal-retentive?
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"Hard work often pays off after time but laziness always pays off now!"
Supercalifragilisticexpialidocious.
Even though the sound of it is something quite atrocious. ...
Quote:
USA 10 Nov 21 11:00pm Add to My Calendar
Series/Drama, 60 Mins.
"Nobody's Perfect"
Karen is assigned to track down an accountant accused of murder and theft; an attractive woman wants Marshall to follow her adulterous husband.
Cast: Carla Gugino, Robert Forster, Bill Duke, Jaime Gomez, William O'Leary, Jeffrey De Serrano, Rigo Sanchez, Marc Vann, Bodhi Elfman, Randy Becker, Oded Gross, Alexandra Billings, Kate Walsh, Isabella Hofmann, Sarah Aldrich, Jake Mailey, Callie Childers, Jonathan Slavin.
Director(s): Michael Katelman.
Producer(s): Danny DeVito, Michael Shamberg, Stacey Sher, John Landgraff, Bob Brush, Michael Dinner, Jason Smilovic, Robert Palm.
Writer(s): Peter Lefcourt.
Original Airdate: November 12, 2003.
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"Oh, good! I was hoping to add theft, endangerment and insanity to my list of things I did today."
"Ah! You, too?"
(Stitch laughs delightedly)
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"Hard work often pays off after time but laziness always pays off now!"
Is there a hyphen in anal-retentive?
Love sammi xx
~Cuteness is more than just a TeddyBear thing~
Is there a hyphen in anal-retentive?
Edited by: Cicca- - - - - - - - - - -
"Hard work often pays off after time but laziness always pays off now!"
Is there a hyphen in anal-retentive?
________
"Boogers are true."
, must watch! - - - - - - - - - - -
"Hard work often pays off after time but laziness always pays off now!"
"understand"). Was that Orson Welles doing the (minimal) voice-overs? It sounded like him, but he wasn't credited. Yoko Shimada really was lovely: did she ever do anything else for non-Japanese consumption? Also pretty, was Richard Chamberlain (a crush of mine just a few years *before* this). His performance? Um . . . adequate: but he really did too much "Something bad is happening, I'm just not sure what exactly" (somewhere between
and
) scowling.
]
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"Hard work often pays off after time but laziness always pays off now!"
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