by taralicious » Sun Nov 26, 2006 8:28 pm
I watched LL&L this afternoon and I'll see Megansmom's 'WOW' and raise her a WOO-HOO!
As much as I adore "Chance", it's extremely gratifying to see that Amber has matured as an artist both in the technical side of things and also in her writing.
First the technical aspect:
LL&L looks absolutely beautiful and the cinematography is superb with a number of intricate dolly and crane shots.
The camera angles and use of space are not as claustrophobic as she was forced to work with in "Chance."
Amber had this entire house for location shooting so she was free to play around with the space by moving the various characters around albeit most of them were tied to chairs at the time.
She also was fortunate to have an entire crew of session musicians, nearly a full orchestra it sounded like at times, scoring the musical background cues, so it was a very theatrical touch to have musical cues underscoring the particular emotions of any scene.
The choice of shooting it on film also leant it a very theatrical nuance as well.
Now for the content of the film itself,
Amber has shown herself to be a very darkly comedic and macabrely twisted writer.
She has namedropped Preston Sturges, among others, as past masters of the screwball comedy, and Amber is kind of his progeny if he were mixed with the offbeat sensibilities of Quentin Tarentino as she has Tarentino's gift for wonderfully witty and nonsequitur dialogue in the midst of high tension situations.
She also has P.G. Wodehouse's innate ability to weave multiple strands of plot together as Amber introduces all of her cast of characters, has them weave and meander about over hill and dale interacting with each other, each with their own aganda as loyalties are exchanged and deals are made and reneged upon, until all of their lives meet up at an intersection and no one escapes unscathed from the fall-out.
If Wodehouse had ever written a dysfunctional ending, that is.
Amber herself shines and is so adorable you want to give her a hug as Justine, the slighly misguided and fragile burglar.
The rest of the cast is stellar in their roles as well but particular emphasis must go again to the incredible comedic talents of Christine Estabrook, this time in the role of the cuckolded wife and mother.
And just when it can't get any better, along comes the funniest man on the planet, James Leary, as your friendly neighborhood policeman.
Proud am I to have invested in the post-production costs of LL&L as Amber has worked her ass off to deliver a film which shows her as an artist whose talent is constantly evolving and who really embraces the collaborative process.
Last edited by
taralicious on Tue Nov 28, 2006 6:46 pm, edited 1 time in total.
I can deny chicks in chainmail nothing.
Amberhol-from the land of sky blue waters.
No Mere Music Hall, This my novel available directly from
rosestindog@gmail.com.